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photo by lady k
THE DEATH OF SEX
I.
In the space of two days I have had more sex than in the last three months.
I can no longer masturbate without thinking
about how sex changes everything
about how she wants me more than I want her
about how I want someone else more than I want her
but still not more than she wants me.
about how tonight she will ask me to call her tomorrow.
about how tomorrow I will want nothing to do with her
or anyone for that matter.
about how this drives me away from people after having buried myself in them
about having to force myself to remember- to not care for anyone except my own need to get off.
I no longer want it when it is hungry and easy
when it is the only thing that happens
II.
when I think about it- I think of women-
overly imperfect
with full heads giant bellies tiny tongues
I can never get off when they go down
with tears and baroque kabuki orgasm then wonderful sleeping silence.
with dead drunk loss of consciousness immediately afterwards
followed later that night and far more sober with leaving the room once they see my hairy belly and tits.
with long discussions about the soul
followed by crying
followed by more fucking
followed by marijuana,
more fucking, water, coffee and then pancakes- only to end
after more fucking
in a screaming argument in the early morning rain about who loves who
followed by more fucking.
and with nothing other than the need to never be alone.
III.
I dont think I like it anymore.
this thing that happens afterwards to me
made up of slow awkwardness and a fear that they want things I either dont have
can't give
or have but dont want to give because
or have and am afraid to give because
Because I am afraid to give myself to them
real imperfect women.
IV.
I've heard of this
the death of want
when once before I asked her if she liked sex
and she said no
but she gave anyway and then thanked me.
The end to the want for sex that lives as long as my memory
or how much I want to see you again.
Nick Traenkner
TRAVEL IN PILLOWCASES
I’ve eaten purple recollections – of peach fields and groped the brambles where fruit collections travel in pillowcases, blind to passing memories of larkspur and pussy willow and dandelion cotton in the gentle, sunny breath.
Overseen cheap dissections of newsprint albums with their pressed decaying flowers, section by section, syrupy reminiscences, water-damaged and sickly sweet instances of ground-shorn decomposing treefruit decomposing in summer’s attic
like invisible, aging beasts tilling the soil into sweet sweet wine or maybe at least vinegar, poisoning the air we inhale with the rotting, honest passage from wet season to wet season;
(Or the unnatural preservation of rotten, imposter specimen).
I confess I kissed your lungs exhaling warm dust into the light and mist into the bruised humidity the day wore limply like a damp, silk camisole between vinyl car seats and a spine.
I polished heart-shaped trinkets and swallowed the dust from your lips; your bitter, wine-blossomed, powder lips and licked the moisture from your memoir pages, so the ink all bled together.
Sticky thighs in rich corduroy. And confectioners sugar on your breasts; your tiny broken ribs in the bluegrass as you dream of talking animals and your hair brushed by the wind – brushed by the salty, winter gasp of wind on ice;
but like molasses, like the deepest blue underwater light. And you dream of talking animals who need not till the earth.
Undressing History; spying through the translucent gauze of action and reaction that orders our bodies can we alter the course from stone to pebble, from puddle to sea – by digging? By dissecting? Will we ever find gold in them hills or get her out of her underwear?
An archeologist is not the same thing as a robber baron and neither are pathologists ruddy wind-worn sea captains.
These boots trollop elsewhereupon, for a dewy future beyond darling dirt and sugar-sodden earth, beyond sandy woodblock prints of pink foam horizons and appleseeds’ venom and frigid blooms that press us on and on, like fireworks sparkling into tomorrow.
In the perpetual arclight of the unseen ether, in the relaxed dawn of our dead Atlantis parallax, the saltwater we breathe in this peopled ocean seems light as air. But we tire –
Until we become scalpel-wielding students in a musty science class, Or really, drowsy prospectors scanning for pyrite in the clay and azure past, once again
like teenagers fumbling to unhook a bra.
Charles Spano
BEAT
Can’t you feel the blood flowing the rhythm of wing beats the sigh of dew dipped blossoms at dawn,
while the world swirls round and round sailing through sprinkled diamonds as dust explodes into a view that was then and is now still speeding forward.
Don’t you want to say here I am, aren’t we lucky to sweat together,
man, the neutrino winds blownin’ my hair back took thousands of light years to get here coolin’ my heated skin from the echos of when the pulse was electro-shocked into life,
and we stand here feeling the reverberations in our toes up our spine settling in our hip bones sharing pollen
so more can sail on this wave before it crashes onto shore.
Steve Thomas
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